Jazzitalia - Lezioni Storia: Jazz Poetry: Bibliografia e Discografia
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Jazz Poetry
Bibliografia e Discografia essenziale
di David Treggiari



Fonti Primarie


Clementelli, E.- Mauro, W., Blues, Spirituals, Folk Songs, Newton, Roma, 1987.
Feinstein, Sascha - Komunyakaa, Yusef, The Jazz Poetry Anthology, Voll. 1 & 2, Indiana
University Press, Bloomington, 1996.
GATES, Jr. H.L. - MCKAY, NELLIE Y., African American Literature, Norton, New York, 1997.
JOHNSON, J.W., The Book of American Negro Poetry, Harcourt, Brace & Co., New York, 1922.
Johnson, J. Weldon & Johnson, J. Rosamond, The Book of American Negro
Spirituals (1926), DaCapo Press, N.Y., 1973.
PICCIONI-CACCIAGUERRA, Antologia dei Poeti Neri d'America, Milano, 1964.
SENGHOR, LEOPOLD, Anthologie le la Poésie Nègre et Malgache, Parigi, 1948.


ANONIMO, My Lord, What a Morning!
ANONIMO, Roll, Jordan, Roll.
ANONIMO, Down by the Riverside.
ANONIMO, Oh, Freedom.
ANONIMO, Go Down Moses.
ANONIMO, Kumbaya.
ANONIMO, Nobody Knows the Trouble I've Seen.
ANONIMO, Oh Happy Day.
ANONIMO, Raise your Hands to the Lord.
ANONIMO, Your Lord is Still the Lord.


ANONIMO, Good Morning Blues.
ANONIMO, Preachin' the Blues.
JOHNSON, LONNIE, Hard Times Ain't Gone Nowhere, 1933.

Romanzi e Autobiografie

BAKER, DOROTHY, Young Man with the Horn, Houghton Mifflin, N.Y., 1938.
BALDWIN, JAMES, Another Country, Dial Press, New York, 1962.
BALDWIN, JAMES, Blues for Mr.Charlie, a Play, Dial Press, New York, 1964.
BALDWIN, JAMES, Sonny's Blues, The Creative Company, New York, 1965.
DOUGLASS, FREDERICK, The Narrative of the Life of Frederick Douglass, an American Slave.
Written by Himself, Anti-Slavery Office, Boston, 1845.
ELLISON, RALPH, Invisible Man (1952) Penguin, New York, 1987.
HOLMES, JOHN CLELLON, Go, Scribners, New York, 1952.
HOLMES, JOHN CLELLON, The Horn, Random House, New York, 1958.
KEROUAC, JACK, On the Road, Viking Press, New York, 1957.
KWAME, ALEXANDER & DATCHER, MICHAEL, Tough Love: Cultural Criticism and Familiar
Observations on the Life and Death of Tupac Shakur, Alexander Publishing Group, Alexandria, Va.,1997.
MALCOLM X - HALEY, ALEX, The Autobiography of Malcolm X, Grove, New York, 1966.
MORRISON, TONI, Jazz, Knopf, New York, 1992.
MURRAY ALBERT - BASIE, COUNT, Good Morning Blues, the Autobiography of Count Basie,
Random House, New York, 1985.
REED, ISHMAEL, The Free-Lance Pallbearers, Doubleday, New York, 1967.
WRIGHT, RICHARD, Black Boy, Harper e Bros., New York, 1945.
WRIGHT, RICHARD, Native Son, Harper & Brothers, New York, 1940.
YOUNG, AL, Snakes, Holt, Rinehart and Winston, 1970.


BARAKA, AMIRI I.(LEROY JONES), Preface to a Twenty-Volume Suicide Note, Corenth Books, N.Y., 1961.
BARAKA, AMIRI I. (LEROY JONES), The Dead Lecturer: Poems , Groove Press, New York, 1964
BARAKA, AMIRI I. (LEROY JONES), Black Art, Jihad Productions, New York, 1967
BARAKA, AMIRI I. (LEROY JONES), Black Magic: Sabotage, Target, Study, Black Art: Collected
Poetry , Bobbs Meril, Indianapolis,1969
BARAKA, AMIRI I. (LEROY JONES), Spirit Reach, Jihad Production, New Jersey, 1972
BARAKA, AMIRI I (LEROY JONES), Selected Poetry of Amiri Baraka, W. Morrow & Co.,N.Y., 1979.
BROOKS, GWENDOLIN, A Street in a Bronzeville, Harper & Row, New York, 1945.
BROWN, STERLING A., Southern Road - Harcourt, Brace & Co., New York, 1932.
BROWN, STERLING A., "The Last Ride of Wild Bill and 11 Narrative Poems" (1975), in The
Collected Poems of Sterling A. Brown, Harper & Row, N.Y., 1980.
CORSO, GREGORY, "The Vestal Lady on Brattle", in Gasoline (1958), City Lights Books, San Francisco, 1992.
CORTEZ, JAYNE, Pisstained Stairs and the Monkey Man's Wares, Phrase Text, New York, 1969.
CULLEN, COUNTEE, "Yet Do I Marvel", in Color, Harper & Bros., New York, 1925.
DUNBAR, PAUL LAWRENCE, "Oak and Ivy" (1893), in The Complete Poems of Paul Laurence
Dunbar, Dodd, Mead and Co., New York, 1913.
FERLINGHETTI, LAWRENCE, "A Coney Island of the Mind" (1958), in These are my rivers: new & selected poems 1955-1993, Paperback, New York, 1993.
GINSBERG, ALLEN, Howl and Other Poems., City Lights Books, San Francisco, 1956.
HARPER, MICHAEL S., Dear John, Dear Coltrane: Poems., University of Pittsburgh Press, 1970.
HARPER, MICHAEL S., Song: I Want a Witness and Debridement, U. of Pittsburgh Press, 1972.
HUGHES, LANGSTON, The Weary Blues., Alfred A. Knopf, New York, 1926.
HUGHES, LANGSTON, Collected Poems, Knopf, N.Y., 1934.
HUGHES, LANGSTON, Montage of a Dream Deferred, Henry Holt & Co., New York, 1951.
HUGHES, LANGSTON, Ask Your Mama: 12 Moods for Jazz, Knopf., NY, 1961.
HUGHES, LANGSTON, Simple's Uncle Sam, Hill & Wang, N.Y., 1965.
HUGHES, LANGSTON, The Book of Negro Humor, Dodd, Mead, New York, 1966.
HUGHES, LANGSTON, "Nothing But the Blues", in The Book of Negro Humor, Dodd, Mead Company, New York, 1966.
HUGHES, LANGSTON, The Ways of White Folks, Alfred A.Knopf, New York, 1934.
HURSTON, ZORA NEALE, Their Eyes Were Watching God, J.B. Lippincott, Philadelphia, 1937.
JACKSON, ANGELA,"Voo-Doo/Love Magic" (1974), in And All These Roads Be Luminous:
Selected Poems, Triquarterly Books, New York,1993.
JOANS, TED, Black Pow Wow Jazz Poems (1959), Hill & Wang, New York, 1969.
JOANS, TED, The Hipsters, Citadel Press, New York, 1961.
KAUFMAN, BOB, "Crootey Song", in Golden Sardine, City Lights Books, San Francisco,1967.
KEROUAC, JACK, Mexico City Blues: 242 Choruses (1959), Grove/Atlantic, Inc., New York, 1970.
KOMUNYAKAA, YUSEF, New and Selected Poems: Neon Vernacular, Wesleyan U.Press, New England,1993.
KOMUNYAKAA, YUSEF, Pleasure Dome, Wesleyan University Press, 2001.
MINGUS, CHARLIE, Beneath the Underdog, Random House, N.Y., 1971.
PHILLIPS, JANE, Mojo Hands, Trident Press, New York, 1966.
REED, ISHMAEL, New and Collected Poems, Atheneum Press, New York, 1988,
REXROTH, KENNETH, "Thou Shalt not Kill" (1953), in The Collected Shorter Poems, New Directions, 1972.
SANCHEZ, SONIA, Wounded in the House of a Friend, Beacon Press, Boston, 1995.
TOOMER, JEAN, Cane, Boni and Liveright Publishers, New York, 1923.
TOURE', ASKIA M. & CALDWELL, BEN,JuJu: Magic Songs for the Black Nation-Soulbook, New York, 1970.
WALKER, ALICE, The Temple of My Familiar, Harcourt Brace Jovanovich, San Diego, Ca, 1989.

Fonti Secondarie

AA.VV., Jazztoldtales, a cura di Franco Minganti, Bacchilega Editore, Imola, 1997,
ANDREWS, FOSTER, HARRIS, The Oxford Companion to African-American Literature, Oxford University Press, New York, 1997.
ASSANTE – CAPUA, Blues Nero e Blues Bianco, Savelli, Roma, 1981.
AUBERT, ALVIN, "Afro-American Poets since the 60's", in Literature and the Visual Arts in Contemporary Society, Columbus, Ohio, 1985.
AUBERT, ALVIN, Against the Blues, Broadside, Detroit, 1972.
BARAKA, Amiri (Leroy Jones), Black Music, New York: W. Morrow, 1967.
BARAKA, Amiri (Leroy Jones), Home: Social Essays, Morrow, N.Y., 1966.
BARAKA, Amiri (Leroy Jones), Social Change and the Poetical Tradition, Conference of
Contemporanery Poetry, U. of New Jersey, aprile 1997.
BARAKA, Amiri (Leroy Jones), Blues People, Einaudi,Torino, 1968.
BARAKA, Amiri (Leroy Jones), Black Music, W. Morrow, New York, 1967.
BENSTON, KIMBERLY W., Baraka, the Renegade and the Mask, New Heaven and London, 1976.
Berry, Jay R., "Poetic Style in Amiri Baraka's Black Art", in CLA Journal, Dic. 1988.
BOWEN, B., Untroubled Voice: Call and Response in Cane, Metheun, N.Y., 1982.
BROWN, L. W., Amiri Baraka, Anchor Press, N.Y., 1976.
CARLES-COMOLLI, Free Jazz, Black Power, Einaudi, Torino, 1974.
Chambers, Jack, Milestones: The Music and Times of Miles Davis, University of Toronto Press, Toronto & London, 1989.
CHERNOFF, J. MILLER, African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms, U. Press of Chicago, 1979.
COLE, BILL, John Coltrane, Macmillan, New York, 1976.
COOKE, MICHAEL G., Afro-American Literature in the 20th Century: the Achievement of Intimacy, Yale U.P., New Heaven, 1984.
CORTESE, G., Letteratura e Coscienza Nera, Mursia, Torino, 1974.
CUNNINGHAM, G. P., L. Hughes and the Blues, di S. G. Tracy, U. of Illinois, 1988.
DE STEFANO, GILDO, Trecento Anni di Jazz, Sugarco, Milano, 1986.
DICKSON, L., "Keep in the Head: Jazz Elements in Modern Black American Poetry", in Black Literature, Warren G. French, A.L.S., 1983.
DIXON, BRENDA, "Black Dance and Dancers and the White Public: a Prolegomenon to Problem of Definition", in Black American Literature Forum, Vol.24, Nr.1, 1990.
DUBOIS, W. E., The Souls of Black Folks, A.C. McClurg & Co., Chicago, 1903.
ELLISON, RALPH, "Richard Wright's Blues", & "Twentieth Century and the Black Mask of Humanity", in Shadow and Act, Random House, N.Y., 1964.
Feinstein, S., Jazz poetry: from the 20's to the present - Greenwood, Westport, Conn.,1997.
FRANKLIN, M. BRUCE, The Victim as Criminal and Artist, Penguin, N.Y., 1988.
GATES, JR. H. L., Music, Essence and Class, Metheun, N.Y. & London, 1988.
GATES, JR. H. L., Black Literature and Literacy Theory, Metheun, N.Y. & London, 1990.
GAYLE, A. Jr., The Black Aesthetic, Doubleday N.Y., 1971.
GIAMMANCO, ROBERTO, Neri d'America, Newton, Roma, 1994.
Gold, Robert, Jazz Talk, Da Capo Press, New York, 1982.
HARRIS, W.J., The Poetry and Poetics of Baraka: the Jazz Aesthetic, Missouri,1985.
HENDERSON, S., Understanding the New Black Poetry, N.Y., 1973.
HOBSBAWN, E. J., Storia Sociale del Jazz, Editori Riuniti, Milano, 1982.
HUGHES, LANGSTON, "the Negro Artist and the Racial Mountain", in The Nation, 23/6/1926.
HUGHES, LANGSTON, The First Book of Rhythm, Franklin Watts, New York, 1954.
HUGHES, LANGSTON, The First Book of Jazz, Franklin Watts, New York, 1955.
IZZO, C., Poesia Contemporanea Americana e Poesia Negra, Parma, 1949.
IZZO, C., Poesia Negroamericana, Milano, 1963.
Jespersen, Otto, Language, its Nature, Development and Origin, Londra, 1933.
Kennington, Donald, The Literature of Jazz, ALA Chicago, 1971.
Kerouac, Jack, "Essentials of Spontaneous Prose", ristampa in CHARTERS, ANN - The
Portable Beat Reader, Penguin, New York, 1992.
KREHBIEL, H.EDWARD, Afro-American Folk Songs: A Study in Racial and National Music, G.Schirmer, N.Y., 1914.
LANATI, B., Blues e Poesie, Roma, 1979.
LOCKE, ALAIN, The New Negro: An Interpretation, Simon and Schuster, N.Y., 1925.
LOCKE, ALAIN, The Negro and his Music, Kennikat, Port Washington, 1968.
Lovell, John Jr., Black Song, the Forge and the Flame: The Story of How the Afro-American Spiritual Was Hammered Out, Paragon House, N.Y.,1986.
MASON, D. E., "Black Art and the Configuration of Experience: the Philosophy of the Black Aesthetic", in CLAJ, 1983.
MAURO, WALTER, Jazz e Universo negro, Rizzoli, Milano, 1972.
MITCHELL, ANGELIN, Within the Circle: An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present, Duke UP,1994.
McCoy, Judy, Rap Music in the 80's: A Reference Guide, Scarecrow Pr., Metuchen, N.J.,1992.
Murray, Albert, The Hero And The Blues, University of Missouri Press, Columbia, 1973.
Murray, Albert, The Omni-Americans, Outerbridge & Dienstfrey, NY, 1970.
Murray, Albert, Stomping the Blues, Da Capo Press, New York, 1976.
NELSON,GEORGE, Hip-Hop America, New York, 1988.
O'BRIEN, J., Interviews with Black Writers, Liveright N.Y, 1973.
OLIVER, P., "Can't even write: the Blues and the Ethnic Liter", in MELUS, 10, luglio 1983.
PETERS, ERSKINE, "The Poetic of Afro-American Spirituals", in B.A.L.F., Vol.24, Nr.3-1989.
PICCINATO, STEFANIA,Testo e Contesto nella Poesia di L. Hughes, Bulzoni, Roma, 1979.
POLILLO, ARRIGO, Jazz, Mondadori, Milano, 1975.
Rose, Tricia, Black Noise: Rap Music and Black Culture in Contemporary America, U. Press of New England for Wesleyan U.P., Hanover, 1994.
SNEAD, JAMES, Repetition as a Figure of Black Culture, Metheun, N.Y. & Lon.,1994.
SollErs, Werner, Amiri Baraka / LeRoi Jones: The Quest for a "Populist Modernism, Columbia University Press, 1978.
SOUTHERN, EILEEN, The Music of Black Americans: a History, Norton, N.Y., 1971.
ULANOV, BARRY, A Hanbook of Jazz, Viking, New York, 1959.
WAGNER, J., Black Poets of U.S.A. From Paul Laurence Dunbar to Langston Hughes, Trad.K.Douglass, Urban U of Illinois, 1973.
WALKER, ALICE, In Search of Our Mother's Gardens: Womanist Prose, Harcourt Brace Jovanovich, San Diego, CA, 1983.
WARD, Jr. JERRY A., "Alvin Aubert: the Love, the Blues, the Mighty Mississippi", in B.A.L.F., Vol.23, N.3, 1989.
WERNER, C., A Change is Gonna Come: Music, Race & The Soul of America, Penguin,NY, 1999.
Wright, Richard, White Man, Listen! (1945) Greenwood Publishing Group, Incorporated, Westport CT, 1978.

Discografia Essenziale

Spirituals & Gospels

Allen, William Francis, Comp. Slave Songs of the United States: The Complete Carols, Atlantic, New York, 1996.
ANONIMI, Negro Spirituals Vol.1 423205 Polydor
Chestnut, Cyrus. Blessed Quietness: A Collection of Hymns, Spirituals and Gospels, ES.A.Y. Recordings, 1992.
Dobbs Ferry, Black Christmas: Spirituals in the African-American Tradition, ES.A.Y. Rec.,1990.
Fisk Jubilee Singers, Fisk Jubilee Singers Folkways Records FP 72, 1955.
Harlem Spiritual Ensemble, The Harlem Spiritual Ensemble in Concert. New Institution, Folkways Recordings, 1994.
Reagon, Bernice Johnson, Wade in the Water, Vol I: African American Spirituals: The Concert Tradition, Smithsonian York: Arcadia Records, Washington, 1991.
TAYLOR, S. COLERIDGE, Original Collection (136 Songs). Piano by S. Coleridge-Taylor. With a Preface by Booker T. Washington. Oak Publications, New York, 1965.


AA.VV, American Folk Blues Festival [Box], Evidence, 1995.
AA.VV, Blues Masters, The Essential Blues Collection, Volume 13, Rhino 1986.
AA.VV, Country Blues Classics, Vol. 1/2/3, Blues Classics BC, 1987.
AA.VV, Mississippi Blues, Vol.1/2/3, Roots RL 1995.
AA.VV, Roots N' Blues, The Retrospective (1925-1950), Columbia Records.
Holiday, Billie, Lady Day: The Complete Billie Holiday, Legacy Records, 2001.
Smith, Bessie, The Essential Bessie Smith, Legacy Records, 1997.


Brown, James, 20th Century Masters: The Millennium Collection, Polydor, 1999.
Charles, Ray, The Magic Collection, Motown, Folkway Recordings, 1986.
Franklin, Aretha, Aretha Franklin, 60023 Atlantic.
Hendrix, Jimi, Voodoo Child –The Jimi Hendrix Collection, UTV, 2001.
Jarreau, Al, The Best of Al Jarreau, Warner Bros., 1996.
Johnson, James P., The Original James P. Johnson 1942-1945, Smithonians.
Prince, Sign o' the Times, Paisley Park 25577.
Rushing, Jimmy, The Essential Jimmy Rushing, Vanguard, 1989.
Wonder, Stevie, Motown Legends: I Was Made To Love Her - Uptight - Esx Ent., Inc., 1994.


Armstrong, LOUIS - Fitzgerald, Ella, Ella and Louis, Verve MGV-4003.
Ayler, Albert, My Name is Albert Ayler, Black Lion, 1963.
Baker, Chet, In a Soulful Mood, Music Club Records, 1997.
Basie, Count, Count Basie Vol 1 & 2, Platinum Disk Corporation, 2001.
Beiderbecke, BIX, In a Mist -Members' Edition-TKO, 1927.
Brubeck, Dave, Take Five, Prism Entertainment, 2001.
Coleman, Ornette, Free Jazz, BlueNote,1960.
Coltrane, John, A Love Supreme, Impulse, 1964.
Coltrane, John, My Favorite Things, Atlantic, 1961.
Coltrane, John-Welcome-Complete Quartet Studio, Impulse, 1965.
David, Miles, Birth of the Cool, Blue Note, 1950.
Davis Miles, Tutu, Verve, 1987.
DAVIS, Miles, Compulsion, Prestige Records, 1953.
Dolphy, Eric, The Essential Eric Dolphy, Prestige Records, 1986.
Ellington, Duke, Complete Columbia & RCA Victor Recordings, Definitive, 2001.
Evans, Bill, The Complete Bill Evans on Verve, Verve, 1997.
Fitzgerald, Ella, A Portrait of Ella Fitzgerald, Gallery, 1998.
Getz, Stan, Cool Be-Bop, EPM, 2000.
Gillespie, Dizzie, The Jazz Collection, Laserlight, 2000.
GORDON, DEXTER, Our Man in Paris, Blue Note, 1960.
Hampton, Lionel, His Best Recordings 1929-1949, Best of Jazz, 2001.
Hargrove, Roy, The Collected Roy Hargrove, RCA Victor, 1998.
Holland, Dave, Four Winds-Triplicate, ECM, 3/89.
Jones, Elvin, Puttin' It Together, Blue Note, 4/8/68.
Konitz, Lee, The Real Lee Konitz, 32 Jazz, 1957.
Marsalis, Winton, Portrait of Wynton Marsalis, Sony Classical, 1996.
Mingus, Charles, The very best of Charles Mingus, Rhino Records, 2001.
Monk, Thelonious, Genius of Modern Music. 2 disks. Blue Note 1510, 1511.
Mulligan, Gerry - Baker, Chet, Quartet, Giant Jazz Recordings, 1999.
Original Dixieland Jass Band, The Complete O. D. J. B. 1917, RCA, 1995.
Parker, Charlie, Now's the Time-Yardbird Suite, Rhino, 1945.
Parker, Charlie, The Complet Birth of Be-Bop, Stash, 1993.
Parker, Charlie. Genius of Charlie Parker. Savoy MG 12014.
Rollins, Sonny, On Impulse, Impulse, 1965.
Shepp, Archie, The Way Ahead, GRP Records, 1968.
Young, Lester, Lester Leaps in, Jazz Hour, 1996.


AA.VV., Hip Hop Greats, Classic Raps, Rhino 70957.
AA.VV., The Best Of Rap City, Noo Tribe, 1999.
AFRIKA BAMBAATA, What's the Name of This Nation?, Profile Record, 1993.
Public Enemy, It Takes a Nation of Millions to Hold Us Back, Def Jam 44303.
SUGARHILL GANG, The Best of Sugarhill Records, Rhino 75472.
Tupac, Shakur, Greatest Hits, Interscope Records, 1998.

Jazz Poetry

AA.VV., Our Souls Have Grown Deep Like The Rivers: Black Poets Read Their Work, Rhino,2000.
AA.VV., In Their Own Voices: A Century Of Recorded Poetry, Rhino, 1996.
Baraka, Amiri I., Black Spirits, Rhino B 457L.
BarAKA, Amiri I., It's Nation Time Rhapsodies In Black: Music and Words From The Harlem, Rhino, 1972.
Cortez, Jayne, Blues Bop For Diz-Taking the Blues Back Home, Verve, 1996.
Ferlinghetti, Lawrence, A Coney Island of the Mind, Rikodisc, 1999.
Ginsberg, Allen, Holy Soul Jelly Roll: Poems and Songs 1949-1993, Rhino, 1994.
Giovanni, Nikki, Truth on its Way, Collectables, 1993.
Giovanni, Nikki, In Philadelphia, Collectables, 1997.
Hughes, Langston feat. Charlie Mingus & Leonard Feather, The Weary Blues, Polygram, 1990.
Hughes, Langston, The Voice of Langston Hughes, Smithsonias/Folkways, 1995.
Kerouac, Jack, Jack Kerouac Collection (Jazz & Beat), Rhino Word Beat, 1990.
Last Poets, Oh My People/ Delights of the garden, Mau Mau Records, 1992.
Mingus, Charles, A Modern Jazz Symposium Of Music & Poetry, Bethlem Music Comp.,1958.
Mingus, Charles, Fables of Fabous, Four Star, 1960.
Rexroth, Kenneth feat.Chamber Jazz Sextet, Thou Shalt Not Kill, Fantasy Records,1953.
ScoTt-Heron, Gil, The Revolution Will Not Be Televised, NY BMG Music, 1988.

Le altre lezioni:

LEZIONI (Storia): Jazz Poetry - Il Solista e il suo Popolo: il Mito di Orfeo (David Treggiari)


LEZIONI (Storia): Cosa è veramente la jazz poetry? I loro protagonisti, i versi emblematici... (David Treggiari)


LEZIONI (Storia): Quarto capitolo su Spirituals & Blues(David Treggiari)


LEZIONI (jazz poetry): capitolo 2 - Fasi di Storia della musica nera negli USA (David Treggiari)


LEZIONI (storia): Jazz Poetry - Lirica musicale e poetica Afro Americane: poesia e musica tra Africa e Occidente. (David Treggiari)


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