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Lalah Hathaway interview
Blue Note, Milan, 11th February, 2004
by Eva Simontacchi
Pictures: Alberto Gottardelli
Fai click qui per leggere la versione in italiano

Between the first set and the second set, Alberto Gottardelli and I climb up the stairs of the Blue Note's backstage, and reach Lalah Hathaway and her band. She comes out for the interview. She has a wonderful, warm smile, and looks radiant, even though she's probably still jet-lagged for the journey from the States. After a few words for the introductions, we start our five-minute interview for Jazzitalia. We don't want to take too much of her time because it's important for her to rest her voice before the next set, which is due in a very short time.

Lalah Hathaway con Eva SimontacchiE.S.: You've been here for a couple of days now. What are your first impressions of Milano?
L.H.: Well, so far everyone's been really kind. I don't have many impressions because I'm so jet-lagged. I've just come from sleeping in the hotel, but we're going to go walking tomorrow, and we went to the central train station yesterday and we'll go walking and shopping tomorrow. But I'm happy to be here, this is my first time here.

E.S.: How do you feel the audience is responding to your music?
L.H.: I'ts interesting because every place you go the audiences are so different, I mean, every night even in the very same place. One thing I noticed about this crowd last night and tonight, is that people are just out to have fun, so there's all talking, and eating and enjoying the music…. You know what I mean, the crowd is very lively….

E.S.: Yes, I noticed that this evening there was too much noise in the hall…. Too much talking going on.
L.H.: Last night was much worse…

E.S.: When people go to concerts, they should avoid talking as much as possible, or they should speak low… They should listen…
L.H.: Well, I don't mind so much if they're talking and having a good time and enjoying the music. It doesn't bother me too much, unless it gets really loud.

E.S.: But there are people who really want to be submerged by the singer's voice and music…and who want to listen, and noise is disturbing.
L.H.: They should sit up top, and people who wish to talk sit further back…

E.S.: A few questions for people who are studying vocal technique: what do you do for your voice?
L.H.: I don't do enough….

E.S.: If you're always out singing maybe you can't concentrate on too many exercises.
L.H.: I'm trying to learn these new warm-ups… and I'm sure you know them (she shows me: it's a warm-up I know very well: singing up and down a scale bubbling your lips… we laugh). My friends, that are in Take 6, they gave me these little exercises. So, I vocalise some and rest, and I'm actually trying to learn some new stuff now ‘cause I think you can always keep getting better.

E.S.: And, of course you are the daughter of two singers, and in Italian we have this expression: "daughter of art", I know there's no translation for that in English, but…
L.H.: I like that, it makes sense.

E.S.: Having the parents you had, did this help you some way?
L.H.: Yes, well, I mean, my father I listen to now, and his music just totally transcends time for me, and my mother's a singer. She's with me right now, and she'll tell me different things… Yeah, definitely, everything I've learned… I've been really lucky to be around music my whole life, and so it feels really natural for me, I never feel like…. It's just a continual evolving sort of process.

E.S.: What about your own music?
L.H.: I'm making a record right now, and we're getting ready to mix it and it will come out in the States, I don't know when it will come out here, hopefully by the Summertime. So I'm working on that and I'm still working with other people. I did a record with Take 6, I'm working with Marcus Miller, and I'm doing a Luther Vandross project when I get home, so… I keep working.

E.S.: Is there something you would like to say to your Italian fans and audience?
L.H.: You know what? The first thing I want to say is that I'm so happy because I didn't know I had an Italian audience. So when I stepped on the stage here, and there were people in the room….Well, I'm surprised. And I'm telling the guys: "Did you see how many people came?" I didn't think… I've never been here before, so it's just shocking and I'm very honoured. So I'm glad to know, and I'll be back as soon as the record's out.

E.S.: We are going to look forward to that. It's a promise! And with your music….
L.H.: Yes, more of it. A bigger band, singers, guitar…

We shake hands, and after a taking a few shots for the interview, we leave with the impression of having talked to a friend. A very open and sincere friend. With a beautiful, velvety, smoky voice and very expressive and intriguing eyes that smile all the time.







Related articles:
26/02/2011

Interview with Marcus Miller during the last date of the "Tutu Rivisited" tour, a tribute to Miles Davis, at Blue Note in Milan. (Eva Simontacchi)

27/03/2010

Toots Thielmans at Blue Note with Kenny Werner, Oscar Castro-Neves, and Airto: "What a treat to see Toots Thielemans performing again at almost 88..." (Roberta Zlokower)

31/10/2009

Ivan Lins at Blue Note in Milan: "His simplicity, naturalness and generosity are evident during his performances. You can feel he's with his audience all the time; he gives all he's got, and he does it having fun and involving Amuedo, the guitar-player with meaningful glances in order to establish performances and dynamics." (E. Simontacchi, N. Pazzaglia)

31/10/2009

Interview with Ivan Lins: "When I start to write songs, well, I've never written songs for me, because I started to sing a little late in my career. Well, I started everything late. I started piano when I was 18, and then I started to write songs when I was at the University, and I never thought I was going to sing one day in my life. So when I was starting to write songs, I was imagining somebody singing them. And this kicks into my heart today." (Eva Simontacchi)

15/05/2009

Preservation Hall Jazz Band brings New Orleans at Blue Note: "...Allan and Sandra Jaffe, in 1961, developed the mission to preserve the music of New Orleans and send a professional band, steeped in the genre, around the globe. Tonight's concert inspired the packed crowd to clap, stand, sway, and smile broadly in this feel-good, melodic milieu." (Roberta E. Zlokower)

03/01/2009

Interview with Kelli Sae and Peter Legat - Count Basic: "...it came together as a project that I had in mind combining the styles of music that I like that are the funky groovy stuff and some jazz influences that I have. I met Kelli in London when we did our first record there, and since 1993 we go on together." (Eva Simontacchi)

26/05/2007

Interviw with Karrin Allyson: "...I'm sincere in wanting to bring joy and beauty and laughter and thoughtfulness to the listener. It's not about posing. It's about reaching people. And that's what I hope happens...." (Eva Simontacchi)

19/11/2006

Jimmy Scott at Blue Note, Ray Charles describes Jimmy's singing, "This man is all about feeling. He defined what 'soul' is all about in singing long before anyone was using that word!" (Eva Simontacchi)

01/06/2006

Tuck and Patti at Blue Note in Milan: "...Not only can Tuck and Patti reach into your heart and move you to tears; they are also capable of making you smile and have fun." (Eva Simontacchi)

04/05/2006

Israel "Cachao" Lopez with his Latin Band at Blue Note: "This was the summer's greatest dance event, but no dance floor was in sight! Yet, hearts and souls danced a raging mambo with this magnificent, Cuban bassist and his 10-piece Latin band..." (Dr. Roberta E. Zlokower)

19/12/2004

Jane Monheit at the Blue Note: "...It is outright clear that she is very gifted and talented. Her pitch is perfect, she's very precise, and she uses dynamics knowingly in order to convey her most intimate feelings, apart from having a wonderful swing..." (Eva Simontacchi)





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