Ted Nash Quintet at Dizzy's Club "Coca-Cola"
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Dizzy's Club Coca-Cola
Presents:
Ted Nash Quintet
Ted Nash on Tenor
Saxophone
Frank Kimbrough on Piano
Ray Drummond on Bass
Willie Jones III on Drums
Mike Rodriguez on Trumpet
At
Frederick P. Rose Hall
Dizzy's Club Coca-Cola
Broadway at 60th Street
NY, NY
212.258.9595
Todd Barkan, Programming Director
Scott Thompson, Press
Dr.
Roberta E. Zlokower
May 22, 2010
I was joined at Dizzy's Club Coca-Cola for tonight's third set by Marco
Losavio, Publisher of JazzItalia.net, who had just flown into New York on business
a few hours earlier. Dizzy's Club is the perfect reunion destination, always filled
with festive music and casual dining, and Ted Nash's Quintet was brimming with buoyant
musicality and panache. Ted Nash opened with a piece from his new Mancini Project,
"Breakfast at Tiffany's", and his smooth sax solo was followed by Ray Drummond on
bass and Willie Jones III's skipping brushes. Drummond's long riff was improvisational
and tuned into the 1960's motif, with Frank Kimbrough's occasional chords enhancing
the mood. Nash returned as Jones' drums went wild in driven, pronounced rhythm.
The second piece was from Nash's "Portrait in Seven Shades", the Van Gogh segment.
Kimbrough was featured on the glowing chords, while Mike Rodriguez appeared on sultry
trumpet. Nash's "Palace" followed, with brief, seamless blasts that stretched to
powerful sound, including Kimbrough's mesmerizing piano riff that engaged the sold-out
crowd. "Still Evolved", one of his CD title tunes, presented a persistent pulse
with help from Rodriguez' billowy brass. The momentum built like a chugging train,
pulling the band together as they sped along. Drummond's generous bass solo was
again accompanied by brushes and piano chords.
Nash's "Push" featured Jones on drums, building the beat like Ravel's "Boléro".
Seamlessly the Quintet resounded with Big Band Swing, swelling and enveloping the
crowd. Rodriguez let his trumpet open up, Nash switched to flute, and Latin tempos
gave the audience something to remember. Rodriguez' brass was faster and clearer
now, while Nash improvised on fanciful flute. Jones' drums were jumping.
Ted Nash on Saxophone
Ray Drummond on Bass
Courtesy of Roberta E. Zlokower
Marco Losavio, JazzItalia.net,
at Dizzy's Club Coca-Cola
Courtesy of Roberta E. Zlokower
Frank Kimbrough on Piano,
Ted Nash on Flute,
Ray Drummond on Bass
Courtesy of Roberta E. Zlokower
Ted Nash, Ray Drummond,
Mike Rodriguez on Trumpet
Courtesy of Roberta E. Zlokower
Todd Barkan, Programming Director,
Dizzy's Club Coca-Cola, Marco Losavio, Ted Nash, Ivette Dumeng
Courtesy of Roberta E. Zlokower
30/01/2011 | A gallery with more than 60 shots at New York Winter Jazz Fest 2011: Chico Hamilton, Don Byron, Geri Allen, JD Allen, Butch Morris, Steve Coleman Vernon Reid, Anat Cohen, Aaron Goldberg, Nasheet Waits, Abraham Burton, Eric McPherson...(Petra Cvelbar) |
11/05/2010 | Love, Linda: The Life of Mr. Cole Porter: "If you love Cole Porter's music, rich, cognac vocals, sexy theatricality, classy, high society anecdotes, top of the line music and orchestrations, a glass of wine, and an intimate setting, then rush to The Triad, on West 72nd Street, for Stevie Holland's new Wednesday night show, "Love, Linda: The Life of Mrs. Cole Porter"." (Roberta Zlokower) |
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Publishing Date: 06/06/2010
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