Jazzitalia - Mark Weinstein: Straight No Chaser
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Jazzheads 2008
Mark Weinstein
Straight No Chaser


1. Loverin' 5:40
2. Miyako 4:47
3. Blues For Janice 7:57
4. Airegin 6:05
5. Shanti 6:35
6. Sleeping Beauty 5:45
7. Invitation 6:22
8. Violets For Your Furs 6:44
9. Straight, No Chaser 4:02
10. Crianza 7.44

Mark Weinstein - Soprano, alto and bass flutes
Dave Stryker - Guitar
Ed Howard - Bass
Victor Lewis - Drums





A
warded as the best flutist of Latin Jazz in 2007, Mark Weinstein revisits classics from the Blue Notes and puts forward some interesting dark original compositions. Wanting to give a title to the CD with one of the most recognisable pentagrams from Monk.

A declaration of intent, on our advice, designed in a setting of deeply researched tone that evolves into a discreet and lively rhythmic sound. A perfect example or instrumental virtuosity that doesn't just demonstrate but investigates the deep expressive resources of the flute. Rarely leaving a lyricism with warm chromatic nuances.

An atmosphere without borders is drawn out, searching for an extended emotion and at the same time a vigorous timing, escaping from purely just showing off. It is here through the "silence" that gracefully - and with intention – though not just exclusively representative, that the territories of classic jazz and of those more innovative and contemporary are discovered. A declaration of rounded resonant intelligence, diluted without letting go, it proposes a great original idea, one of good taste.

Weinstein's research is stimulanting: the sounds are imagined through an enriched variation of shades of colours that have an assured impact. The stile is dry and the phrasing is combined with the desire to express its own exterior. Very individualistic and intuitive in it's plastic equilibrium.

The sense of direction of this work is derailed by the systematic spontaneous ness through the interesting interplayed rhythms. Three clever and effective players, without a doubt, Dave Stryker on guitar, Ed Howard on the double bass and Victor Lewis on drums.

The reference to the flutist is in one respect through the Afro-American tradition, that in which the spirit and soul of the blues gives it the life through the bop, but above all the more modern expression, open and energetically rounded off in the melodies and in the persuasive geometries strongly described.

An unconventional jazz is that offered by Weinstein, for the rest the reference to Thelonious Monk is not casual, versatile and free from stylistic conditioning, which explores improvised territories from ample co-ordinated cultures, amplified by a vast spectrum of tone and notably elegant.

Fabrizio Ciccarelli for Jazzitalia







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Publishing Date: 09/11/2008

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